Ernesto Halffter - Symphonic Works - Suh, RSO Frankfurt, Tang (1998) [FLAC] (cpo 999 493-2)
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Ernesto Halffter - Symphonic Works - Suh, RSO Frankfurt, Tang (1998) [FLAC] (cpo 999 493-2)
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Torrent File Content (30 files)
Halffter, Ernesto - Symphonic Works - Suh, RSO Frankfurt, Tang (1998) [FLAC] (cpo 999 493-2)
Artwork
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Artwork
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16.49 MB
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7.93 MB
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3.4 MB
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01 - Rapsodia Portuguesa.flac -
58.2 MB
04 - Sinfonietta - I. Pastorela.flac -
43.35 MB
07 - Sinfonietta - IV. Allegro giocoso.flac -
39.31 MB
05 - Sinfonietta - II. Adagio.flac -
36.79 MB
06 - Sinfonietta - III. Minuetto.flac -
23.29 MB
03 - Deux Esquisses Symphoniques - Paysage Mort.flac -
23.03 MB
02 - Deux Esquisses Symphoniques - La Chanson du Lanternier.flac -
11.89 MB
Cover.jpg -
75.18 KB
EAC.log -
8.82 KB
00 - Pregap.flac -
8.58 KB
Pregap.log.txt -
4.78 KB
Info.txt -
3.96 KB
Noncompliant.cue -
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1.39 KB
Checksum file.sfv -
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FLAC test.txt -
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Description
Music : Classical : LosslessERNESTO HALFFTER (1905-1989)
Symphonic Works
Gramophone [9/1998]:
Quote:A devoted disciple of Falla, Ernesto Halffter (less avant-garde a composer than his older brother Rodolfo or his more famous nephew Cristobal) gave up so much of his time and energy to the colossal task of making sense of, and completing, his mentor’s Atlantida that his own output remained modest, consisting chiefly of a chamber opera, ballets, concertos for violin and for guitar, and a handful of other works. The first of his Esquisses symphoniques (written before he was 20), the exuberant “Chanson du lanternierâ€, is heavily indebted to early Stravinsky: more individual (though with Debussian overtones) and very impressive both for its orchestral writing and its eloquence, is the second, “Paysage mortâ€. But it was his sizeable Sinfonietta, completed shortly afterwards in 1925, which really attracted attention at home and abroad. There have been three or four previous recordings of it (including the very last recording – on Spanish Columbia – made by the conductor Ataulfo Argenta), but none are currently in the catalogue. Its first movement contains conspicuous resemblances to Falla’s Harpsichord Concerto (written at the same time), and the finale is again pertly Stravinskian: as a whole the work is blithe-spirited and neo-classical, very lucid and with great charm – a piece well worth a place in the repertoire; and it here receives a warmly sympathetic performance. But CPO are wrong to bill it as having only three soloists; and they also contradict themselves about the dates both of this and of the Rapsodia Portuguesa. This effectively ear-tickling piece, composed about 15 years later on Portuguese folk themes, provides a vehicle for brilliant and delicately sensitive playing by Ju Hee Suh (once a Leeds Competition winner at the age of 16 and since then a world-travelling soloist). --Lionel Salter
Classics Today:
Quote:Ernesto Halffter spent the better part of his life completing his teacher Manuel de Falla’s Atlantida, and this ongoing effort completely eclipsed his own creative work and seriously diminished its quantity. All of this is a pity, because Halffter was a major composer, as two second’s listening to the delicious Sinfonietta clearly demonstrates. This outstanding neo-classical work combines the features of a symphony with those of a concerto grosso, offering lively solos for the principal strings, winds, and even two differently pitched snare drums. The music will flood your listening room with Spanish sunshine and good humor, except in the remarkable slow movement, whose religious inspiration builds at its conclusion to a rapture bordering on ecstasy. Adrian Leaper and his Spanish band deliver a fine performance, though another recent release featuring the Frankfurt Radio Symphony Orchestra under Muhai Tang (on CPO) is just as fine, and perhaps marginally livelier. That recording also includes the brief, impressionistic diptych called Two Symphonic Sketches.. --David Hurwitz (from the review of Adrian Leaper's recording of the Sinfonietta on ASV 1078)
1. Rapsodia Portuguesa for piano and orchestra (1939) [16'26]
Deux Esquisses Symphoniques (1922-1925) [9'49]
2. La Chanson du Lanternier
3. Paysage Mort
Sinfonietta in D for violin, violoncello, double bass, and orchestra (1925) [34'27]
4. I. Pastorela
5. II. Adagio
6. III. Minuetto
7. IV. Allegro giocoso
T.T.: 61'31
Ju Hee Suh, Piano
Alejandro Rutkauskas, Violin
Peter Wolf, Violoncello
Boguslaw Furtok, Double Bass
Radio-Sinfonie-Orchester Frankfurt
Muhai Tang
Recording: 7-14 October 1996, HR-Sendesaal Ffm
Recording Supervisor: Richard Hauck
Recording Engineer: Rudiger Orth
Executive Producers: Burkhard Schmilgun / Leo Karl Gerhartz
® 1998 - Made in Germany
cpo 999 493-2
Co-Production: CPO/Hessischer Rundfunk
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